Self-portrait at 20 years old, oil on canvas (1885)

He also began to frequent the cafés and cabarets of Montmartre. In the same year, Vallotton succeeded in the rigorous competition to enter the École des Beaux-Arts, but decided instead to remain at the Académie Julian, where his friends were. Lefebre responded that the young Vallotton had the talent and ability to succeed. In 1883, Vallotton's father wrote to Lefebvre, questioning whether his son could make a living as a painter. He spent many hours in the Louvre, and he greatly admired the works of Leonardo da Vinci, Holbein, Dürer, and more modern painters, including Goya and Manet, and especially Ingres, whose works were models for Vallotton throughout his life. In January 1882 he settled in Rue Jacob in the neighborhood of Saint-Germain-des-Prés, and enrolled in Académie Julian, where he studied with the portrait painter Jules Joseph Lefebvre and the history painter Gustave Boulanger, and where he perfected his technical skills. When he completed the course, he persuaded his parents to let him go to Paris to study art seriously. He also began to attend the drawing classes of the painter Jean-Samson Guignard, normally reserved for most advanced students, where he showed a particular skill in close observation and realism. Beginning in 1875 he attended the Collège Cantonal, graduating with a degree in classical studies in 1882. His family environment was warm but strict, in the Swiss Protestant tradition. His mother, Emma, was the daughter of a furniture craftsman.

His father owned a pharmacy, and later purchased a chocolate factory. Vallotton was born into a conservative middle-class family in Lausanne, the third of four children. He published art criticism during the 1890s, and his novel La Vie meurtrière (The Murderous Life) was published posthumously. His later paintings include highly finished portraits and nudes, and landscapes painted from memory. He produced few prints after 1901, and concentrated instead on painting. Characterized by broad masses of black and white with minimal detail, they include street scenes, bathers, portraits, and a series of ten interiors titled Intimités (Intimacies) that portray charged domestic encounters between men and women. He developed a simpler style during his association with Les Nabis during the 1890s, and produced woodcuts which brought him international recognition. His earliest paintings were influenced by Holbein and Ingres. He painted portraits, landscapes, nudes, still lifes, and other subjects in an unemotional, realistic style. He was an important figure in the development of the modern woodcut.

Félix Édouard Vallotton ( French pronunciation: December 28, 1865 – December 29, 1925) was a Swiss and French painter and printmaker associated with the group of artists known as Les Nabis.

Artist felix vallotton